Sunday, September 21, 2025

NEW BOOK AVAILABLE FOR PRE-SALE!!!

 

Available now for pre-order from Finishing Line Press:

Relict, by Brian Mosher

Relict is the result of the author’s struggle to figure out what the death of his father meant to him. Does a person become something different on the day they no longer have any living parents? A child becomes an adolescent, becomes an adult. A single person becomes part of a couple, becomes a parent, becomes again single either as a widow or through divorce. But we have no word for the stage of life that begins once both a person’s parents have died. This book is an attempt to document the feelings of grief, and to reconnect to a lost past through stories about ancestors, all without losing sight of a hopeful future. 

This title will be released on January 23, 2026

https://www.finishinglinepress.com/product/relict-by-brian-mosher/

 

By ordering in advance, you:
·        Save money, compared to post-pubilcation price
·        Help Finishing Line Press gauge interest and determine how many copies to print
·       Help me, since the amount of pre-orders determines my royalty rate



Advance praise for Relict: 

 

Brian Mosher, in his new collection of poems RELICT, searches for what remains after the loss of loved ones. What remains arephotographs:four brothers,/youngest to oldest, left to right:/my father and uncles, /who all share my face./ Alsowisdom, inherent knowledge,/as a river knows where to flow,/as the oak tree understands/the value of its shadow./Then,empathy…this the only time I ever saw him cry./Such was the measure of this man, /the loss which hurt him most was not his own./And of course,hope to mingle with/the scars, to soothe the aches, to warm /the joints, 

 

Finally, what remains is this wonderful collection of poems. 

David R. Surette, author ofTonic 


 

“This collection pairs the easy charm of storytelling with the biting grief of a poet grasping for the right words. The respect Mosher shows for those who came before him is tempered with the knowledge that he just doesn’t know any more than what he’s seen. And so what he shares with us are memories, lessons, histories of men who built family, tradition, and home for each other. This is a collection for those who have felt a legacy resting squarely on their shoulders and felt unsure of where to go next. Brian’s poetry reminds us to go with what we know to be true.”   

–Sarah Jane Mulvey, Poet Laureate of the City of New Bedford 


 

In this collection of confessional poetry, Mosher probes stories of family and uncovers the rich emotional subtexts beneath seemingly ordinary exchanges between father and son, husband and wife, and father and child. His free verse, unadorned, direct, full of fierce self-examination, is both poignant and artful. 

–Lynne Viti, Poet Laureate of Westwood, Massachusetts 


 

Some memories, like relics, are imbued with the power to heal. The poems in Brian Mosher’s, Relict offer a familiar, healing warmth. They speak of the grace in each person’s origin story that has the power to save us, if only we will learn from it. That sense of salvation is stitched like a scarlet thread through this collection. Mosher’s details snug readers up to the century old woodstove in Aunt Gus’s kitchen. They capture the scene of a husband comforting his wife as she takes in the news of her father’s death: “Such was the measure of this man/ the loss which hurt him most was not his own”. We hear the voices of uncles— their childhood escapades knitting present to past as they sit in their sacred circle on green plastic lawn chairs, summer’s light fading. And sometimes, the inward gaze reveals a glimmer of self-reflection — self-knowledge breaking through as in the poem, “I Remember the Blood, Mostly” in which a son discovers his father  

 

Face down on the hardwood, 

halfway out of the bathroom, 

his breath pushed the blood, 

spread it wider, toward the linen closet.  

 

That last detail embeds the tragic in the quotidian. Will that ordinary space ever be the same? Should it be? In a later poem, “Lighter Than Any Feather” the speaker ends by saying,  

 

I cannot read the book of life 

written in my father’s soul. 

I know only what I know. 

 

And we understand from this brief lyric—accepting that we will never know the  whole life of another makes what we do know more sacred. What memories we have will be the relics we carry on our own journies. Mosher’s poems celebrate the twin miracles of love and forgiveness (both of self and of others). Spare and clear, they nourish the heart. 

Miriam O’Neal, Poet Laureate of Plymouth Mass., and author of The Half Said Things and The Body Dialogues 

 

Brian Mosher can not remember a time when he didn’t write. Beginning with fictional “biographies” of friends in High School, to Bob Dylan-inspired song lyrics during what should have been college years, to music reviews for multiple underground publications in the early 2000s, writing has always been part of how he identifies himself and how he examines the world around him.  

Having self-published three collections of poetry and prose between 2016 and 2021, his first professionally published chapbook was “Dreams and Other Magic” (Alien Buddha Press 2023), which explores the unconscious world of dreams and fantasies. In 2025, Metaphysical Fox Press published a full-length collection of poems and song lyrics titled “A Muster of Melodious Musings”, containing work written primarily between 2016-2024. His poems and short stories have appeared in multiple journals and magazines, including Lily Poetry Review, Blue Villa, Nixes Mate, eMerge, Books and Pieces, Confetti, Rituals, Coneflower Cafe, Written Tales, Esoterica Magazine, and Half and One Magazine. 

Mosher is a native of southeastern Massachusetts, spending his childhood in the town known for it’s professional football franchise. He preferred them in the 1970s when they weren’t very good, but it was easy to get tickets. 

His favorite ways to pass time are reading and listening to music, and he draws inspiration for much of his writing from observations made from barstools. He also frequents many open mic and poetry reading venues throughout the area. 

 

 

Friday, September 5, 2025

Shelter - originally published in Lily Poetry Review June 2025

Shelter
 
library art gallery
poetry reading
a dank weekend afternoon
 
two without homes find shelter
from the rain with me
and eleven Laureates
 
as tobacco-smoke-scented
clothes and bones dry out,
are their hearts warmed by the verse?
 
probably not, but I hope

Saturday, August 2, 2025

What's Mona Lisa Got to Smile About (originally published in the Slightly Off-Beat Poets Anthology "Many Voices ~ One Stage")

 
What’sMona Lista Got to Smile About Anyway?
           
What’s Mona Lisa got to smile about, anyway?
I bet Leonardo was no treat to be around.
I bet he never cared to hear what she had to say
 
About the day’s popular sonnets, or satirical plays,
Or even whatever hot gossip had been making the rounds.
So, what did Mona Lisa have to smile about, anyway?
 
If a modern artist were to paint her today
There’d be an accompanying video with stereo sound
So, we’d have permanent record of what she had to say.
 
If I could travel back to those days, I’d be willing to pay
Leonardo in Dollars or Euros or Kroners or Pounds,
To ask “Hey, what was she smiling about, anyway?”
 
Instead, she sits frozen, and Leonardo’s gone away
As thousands of tourists stand silently ‘round
As if expectantly waiting to hear what she’ll say;
 
Perhaps something witty or silly, or suitably gay.
But not one of them yet has ever found
What Mona Lisa’s got to smile about, anyway,
Or if she ever had anything interesting to say.

Friday, August 1, 2025

Coming Events

            

COMING EVENTS

Much excitement here in Mosherland at the moment, as A Muster of Melodious Musings (2025 - Metaphysical Fox Press) has hit the streets! The book made its public debut on March 13 during the open mic portion of the monthly Pour Me A Poem reading series in Mansfield, MA - my poetry home base.

In addition to various other open mic events, I'm lining up some feature reading spots in the next few months, where I'll be reading more from Muster, as well as whatever else feels right at the moment. There will be copies of the book for sale at all these events!

Here's what's on the horizon:

Feature reading at The Switch Arts Co-Op, Hyde Park, Boston!


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October 11 – Saturday – 12:00pm – I am one of 10 finalists in Foodie Federation’s Choctoberfest Poetry Contest, “Eat Your Words”.

All 10 finalists will read their poems, and then the judges will announce three winners. Drinks available for purchase from the Spire bar. FREE to attend, with free chocolate samples.

Spire Center, Downtown Plymouth. 


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October 12 - 1pm - Visual Inverse, an ekphrastic afternoon - join me and over 20 other poets as we read poems inspired by art from the annual juried show at the Plymouth Center for the Arts, in downtown Plymouth MA. Last year's event was an absolute joy, and this year promises to be even better.

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January 23 20026

New Book from Finishing Line Press! 

Relict is a chapbook of poems centered around the death of my father. It deals with questions of grief and loss, but also celebrates the ties between a father and a son, and explores questions of generational legacies.

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March 12, 2026 – Thursday – 7:00pm – Pour Me A Poem in Mansfield

I’ll be the featured reader, plus open mic. Free.

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March 19, 2026 – Thursday – 6:30pm Dye and Bleach reading series, Willington CT

Two features, plus open mic. Free.

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March 21, 2026 – Saturday – 2:00pm – Book Lovers Gourmet, Webster MA

I’ll be the feature, followed by round-robin open mic. Free.

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April 2026– Dolphin Gallery in the Hingham Public Library, Hingham MA – Double Vision

A two person show with artist Becky Haletky. Becky’s art and my poems in response, hung side by side on the walls of the Dolphin Gallery for the entire month of April. (reception date TBD)

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April 28, 2026 – 7:00pm - Hingham Public Library, Hingham MA – Uncommon Reading

Uncommon is myself, John Holgerson, Elizabeth Birch and Mark Walsh, four poets with different styles and interests, who come together once a month to provide each other feedback and advice on our poetry. Come hear all four of us read, stay for conversation. Free.

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Be sure to check back here regularly for more news!

Wednesday, July 2, 2025

Coloring (originally published in The Literary Underground - 3/9/2025)

Coloring
 
My parents bought a used ’65 Dodge Dart,
white inside and out, dad’s pride and joy,
and I, just a boy left unbuckled, untethered,
saw the back of the front seat as a blank
canvas, which I covered in patternless
Crayola-tones, an abstract masterpiece, faded
to black and white in memory. Consequences
swift but not corporal. Lesson learned:
elbow grease cleans wax off vinyl.
 
Flash forward to a different world where
artificial light explodes from all
my screens, distracting and assaulting me
with hues no naive technicolor musical
could have foretold, while a gloomy
future looms uncertainly in shades of gray
and sepia-brown, and my clicking knees
and knuckles count the seconds. Punishment
for the simple crime of having survived.
 
And now, having lived through sixty-two
gray winters, green springs, white-hot
summers and firework-bright autumns,
all scrambled together in a shapeless swirl
of errors and triumphs, revelations and deceits,
injuries sustained and inflicted,
 
I still paint outside the lines, with words
instead of crayons, and still usually clean up my own mess.